New thought-provoking blog “Discourse on Reality” launching soon

DiscourseOnReality

“The work of an intellectual is not to mould the political will of others; it is, through the analyses that he does in his own field, to re-examine evidence and taglineassumptions, to shake up habitual ways of working and thinking, to dissipate conventional familiarities, to re-evaluate rules and institutions and to participate in the formation of a political will (where he has his role as citizen to play).”  ― Michel Foucault

Discourse on Reality, launching this Wednesday, will focus on current socio-economic, cultural, philosophical and political issues and challenges facing everyday men and women — across the globe.  As the title suggests, it is meant to be a forum for intelligent discourse, where people can share ideas, commentary, and information on subjects that are current, relevant and affect our communities — locally, nationwide, worldwide.  The objective is to learn, engage, raise awareness and, perhaps, become actively involved in the very causes, issues and challenges that we seek to address and remedy.

It is not my desire to write monologues day in and day out.  Dialoguing with oneself becomes tedious after a while.  To that end, I will be extending an invitation to anyone who may be interested in writing a guest blog post — within the scope of the subject matter discussed in the blog.  The invitation is open to writers, scholars, community leaders, and activists — subject to my approval, per  the guest blogging guidelines that will be available for review when Discourse on Reality goes live on Wednesday morning.  Non-fiction authors who post a guest blog will also be invited to highlight their latest work on the “Books” page.

Discourse on Reality embraces diversity.  This means: people from all walks of life, all cultures, all religions, all nationalities and ethnicities,  all political and philosophical leanings, all genders and orientations. 

Discourse on Reality will not provide a forum for hate, bigotry, and profanity.  It’s one thing to be passionate about what you believe in, but it is quite another to spew out hateful commentary.

One blog will be posted by 9 am EDT daily, from Monday to Friday.  Each day will focus on one theme, as follows:

       MONDAYS – Socio-economic Issues  (i.e. hunger, homelessness, health, education, environment and more)

       TUESDAYS – Economic Issues (i.e. the economy, business, technology, and more)

       WEDNESDAYS – Cultural Issues (i.e. civil rights, human rights, and more)

       THURSDAYS – Philosophical & Political Issues (i.e. commentary on current political events/news, ideology, religion)

       FRIDAYS – Philanthropy and Humanitarianism (i.e. role models and visionaries, non-profit organizations, humanitarian efforts and disaster relief,  sustainability, and more)

I hope that those of you who have been tuning in to my heatherfromthegrove (a writer’s musings) blog will also check out Discourse on Reality this Wednesday.  

As always, I welcome your feedback and comments.

Thanks for stopping by!

— Heather

heatherfromthegrove’s story spotlight for today: “Oscar and Lucinda” by Peter Carey

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Let’s wrap up fiction week, here @ heatherfromthegrove, with a love story.

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“She held out her hand, like a man. He hesitated, then took the hand and shook it. It was very warm. You could not help but be aware of the wild passage of blood on the other side of its wall, veins, capillaries, sweat glands, tiny factories in the throes of complicated manufacture. [He] looked at the eyes and, knowing how eyes worked, was astonished, not for the first time, at the infinite complexity of Creation, wondering how this thing, this instrument for seeing, could transmit so clearly its entreaty while at the same time—-Look, I am only an eye—-denying that it was doing anything of the sort.”

Peter Carey, Oscar and Lucinda

What better way to enjoy a summer weekend than to curl up in your favorite chair and read a love story?  Written by Australian author Peter Carey, Oscar and Lucinda is a satire about two star-crossed lovers in mid-nineteenth century England and Australia. Growing up in a strict, religious (Plymouth) household, the shy young man rejects his father’s religion in favor of the C of E (Church of England), and becomes an Anglican priest.  Lucinda is a headstrong Australian heiress who is a feminist before her time. She buys a glass factory, in the hope of one day building a church made from glass and transporting it (intact) to the Australian Outback. Oscar and Lucinda meet on a ship, en route to Australia and discover they share a common vice:  gambling  (he, the racetrack; she, a deck of cards). When they arrive in Australia, neither one fits well in their social circles and the two “outsiders” form a bond.  The wickedly witty gambling duo make a wager that unleashes a series of events that affects the course of their lives.  The wager?  Lucinda bets Oscar her entire inheritance that he would be incapable of transporting the glass cathedral (without any breakage or damage) to the Outback.

Told in a long flashback, this enchanting story is about two people who were truly meant to be together.  And we, the readers, fall in love with them – vices and all.

Other novels by Peter Carey:

* adapted into a film (1997, USA) by the same name; directed by Gillian Armstrong, and starring Ralph Fiennes (as Oscar) and Cate Blanchett (as Lucinda).

** adapted into a film (1986, USA) by the same name; directed by Ray Lawrence.

In addition, he has written a large body of work: short story collections, uncollected short stories, juvenile fiction, non-fiction and screenplays.

heatherfromthegrove’s story spotlight for today: “The Fratricides” by Nikos Kazantzakis

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Monday, July 15 – Saturday, July 20

FICTION

@ heatherfromthegrove!

Enjoy some good summer reading.

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“Their life is an unceasing battle with God, with the winds, with the snow, with death. For this reason the Castellians were not surprised when the killing began, brother against brother. They were not afraid; they did not change their way of life.  But what had been simmering slowly within them, mute and unrevealed, now burst out, insolent and free. The primeval passion of man to kill poured from within them. Each had a neighbor, or a friend, or a brother, whom he had hated for years, without reason, often without realizing it. The hatred simmered there, unable to find an outlet.  And now, suddenly, they were given rifles and hand grenades; noble flags waved above their heads. The clergy, the army, the press urged them on — to kill their neighbor, their friend, their brother. Only in this manner, they shouted to them, can faith and country be saved! Murder, that most ancient need of man, took on a high mystic meaning. And the chase began — brother hunting brother.”

Nikos Kazantzakis , The Fratricides

To the rest of the world, the brilliant Greek writer and philosopher Nikos Kazantzakis is best known for his masterpiece, Zorba the Greek.   But to the Greeks, he remains a national treasure.  His body of writing is a clear attestation of the deep love he felt for his country and his people.  This passion, along with his devotion to his faith, and  a profound fascination with the magnetic power of charismatic leadership  ―  all come into play in his final curtain call, The Fratricides

The Fratricides (the act of a person killing his or her brother), was Kazantzakis’  last novel. The story takes place in a remote mountainside village (Castellos) in Macedonia, during the Greek Civil War (December  1944 – January 1945, and from 1946-49) when Greek communists tried (unsuccessfully) to gain control of Greece.  The novel’s central figure, the village priest (Father Yiannaros), tries to reconcile the two warring factions ― the monarchist troops who are in control of the town and the communist guerrillas who are trying to infiltrate the area.  Although sympathetic to some aspects of the communists’ vision of society, he is repelled by their acts of savagery. Their inhumanity goes against his moral and religious beliefs, yet Father Yiannaros takes steps to negotiate a settlement, with tragic results.  Enough said. 

Told by a master storyteller, The Fratricides is a gripping account of a turbulent time in Greek history, when brothers were (figuratively and literally) pitted against brothers.

Other novels by Nikos Kazantzakis:

* adapted into a film (1988) by the same name; directed by Martin Scorsese and starring Willem Dafoe (as Jesus), Harvey Keitel (as Judas) and Barbara Hershey (as Mary Magdalene).

** adapted into a film (1964) by the same name; directed by Mihalis Kakogiannis and starring Anthony Quinn (as Alexis Zorba) and Alan Bates (as Basil)

In addition, he wrote a vast body of work:  plays, poetry, and a wide selection of non-fiction works (travel books, translations, anthologies, memoirs, essays and letters).

My favorite Nikos Kazantzakis quote:

“I hope for nothing. I fear nothing. I am free.”